Our Studio control room is one of the best mixing rooms in Mumbai which has a SSL 4024 G+ Console imbibed which is known for its class pre-amps and its world-class Equalization and Dynamics Section, each Channel has its Character which adds a unique colour to the Recording.
For various types of setups, we also have a patch bay for the convenience of the Engineer. The Control room has Dynaudio as Stereo monitors and Augspurger 3 way monitors for 5.1 setup including a subwoofer for the sub frequencies to translate audio in the smoothest way possible.
The most important unit of our control room is the world-class I/O Avid MTRX which comes with built-in MADI, DigiLink, and AES3 I/O, but is also fully modular, enabling you to configure all eight of its card slots to suit your workflow. From analog inputs, outputs, and high-quality mic pres, to Dante, MADI, DigiLink, AES3, 3G-SDI, and more, you have the connection versatility you need to support ADR, Foley, sound design, re-recording, and mixing workflows, and the flexibility to route any signal between the various I/O formats.
You may have the very best instruments, speakers, amplifiers and recording equipment and you may have placed it all perfectly in your space, but if your performance/recording/listening room has poor acoustics, you’re really facing an uphill battle.
To get some great texture of ambience we have added depth in our tracking room , proudly it is considered as best sounding orchestra room in India
We’ve had sessions done in 96khz in a very smooth way with our MTRX. With the help of AVID MTRX, we can obtain various types of setups in splits of seconds, it also supports Dolby Atmos. Studio A also holds up to 25 musicians comfortably.
The latest addition to our studio is a 9.1.4 Dolby Atmos System for a completely immersive experience.
Dolby Atmos technology allows up to 128 audio tracks plus associated spatial audio description metadata to be distributed to theatres for optimal, dynamic rendering to loudspeakers based on the theatre capabilities. Each audio track can be assigned to an audio channel, the conventional format for distribution, or to an audio “object.” Dolby Atmos has a 10-channel 9.1 bed for ambience stems or centre dialogue, leaving 118 tracks for objects.
The studio is built with a perfect variable decay time that adds greatness to any instrument tracked here. Percussions with huge diaphragms and resonance are so well controlled and also drums in a whole produce great ambience at the same time amazing tone.
